he is entitled to his opinion. From the point of view of this formulation, Surrealism in plastic art is a reactionary tendency which is attempting to restore "outside" subject matter. In the first place it is not a question of a choice between merely the old and merely the new, as London seems to think - but of a choice between the bad, up-to-date old and the genuinely new. Kitsch, by virtue of a rationalized technique that draws on science and industry, has erased this distinction in practice. But things being as they are in Russia - and everywhere else - the peasant soon finds the necessity of working hard all day for his living and the rude, uncomfortable circumstances in which he lives do not allow him enough leisure, energy and comfort. In a stable society that functions well enough to hold in solution the contradictions between its classes, the cultural dichotomy becomes somewhat blurred.
When I was young, very young, say 2 and 3 years old, my mother and father were running a reggae music store.
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A society, as it becomes less and less able, in the course of its development, to justify the inevitability of its particular forms, breaks up the accepted notions upon which artists and writers must depend in large part for communication with their audiences. The lines"d from Yeats referred to Byzantium, which is very close to Alexandria; and in a sense this imitation of imitating is a superior sort of Alexandrianism. Kitsch's enormous profits are a source of temptation to the avant-garde itself, and its members have not always resisted this temptation. To" Yeats: Nor is there singing school but studying. Advances in culture, no less than advances in science and industry, corrode the very society under whose aegis they are made possible. Are there other, and perhaps more important, factors involved? Return to text. For it is to the latter that the avant-garde belongs.